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Pages in category "Motown cover albums" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. D.
Motown [8] Tiggi Clay: Tiggi Clay: 6067CL Morocco [9] The Big Chill: More Songs from the Original Soundtrack: Various artists [10] 6094ML Motown Truly for You: The Temptations: Gordy Ain't No Turnin' Back: Phyllis St. James: Motown The Woman in Red: Stevie Wonder: 6108ML Motown Thomas McClary: Thomas McClary: 6121ML Motown [11] Glow: Rick James ...
Hitsville USA: The Motown Singles Collection 1959–1971 is a 1992 four-CD collection of Motown hits, during Motown's golden age when the songs were recorded at its original Detroit studio. [1] The selections on this compilation were transferred from the original single mixes, which were mixed for AM radio play and 45 RPM singles.
Topics about Motown albums in general should be placed in relevant topic categories ... Motown cover albums (12 P) T. Tamla Records albums (3 C, 92 P) U.
The discography for American rhythm and blues record label Motown, as well as its subsidiaries and imprints, is divided into: Motown albums discography Motown singles discography
First released in December 1980 as "Motown Chartbusters '80". Renamed for CD release later. An album also called Motown Chartbusters '80 was released in the same year on the Astor label (6264 187) in Australia. It had the exact track listing as Motown Chartbusters Volume 11. The cover was almost identical, with just minor changes. Track Listing
The group's contract expired in 1972 and most of the band members decided to leave Motown, but vocalist G. C. Cameron had married Gwen Gordy and had a different contract than the rest of the performers, so he departed the Spinners and encouraged them to add Philippé Wynne; [1] the renewed line-up recorded a string of successful albums produced ...
The disc was part of an "Ultimate Collection" series issued that year by Motown for many of their top-selling classic artists. Starting in the late 1960s and early 1970s, standard industry practice shifted to a focus on album sales , where a single became less a separate entity and more simply an advertisement for an LP, and a lead single would ...
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