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Example video in 16K (16000 × 9000 pixels) A VR video in 16K (16000 × 8000 pixels) 16K resolution is a display resolution with approximately 16,000 pixels horizontally. The most commonly discussed 16K resolution is 15360 × 8640, which doubles the pixel count of 8K UHD in each dimension, for a total of four times as many pixels. [1]
Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
The first in the Pocket Cinema Camera line with the ability to shoot 4K video, this model included a 4/3 image sensor and mount, and is capable of both ProRes and Blackmagic Raw. [2] In August 2019, Blackmagic Design released the Blackmagic Pocket Cinema Camera 6K with a Super 35 camera sensor and EF mount for US$2,495. [3]
The difference is that whilst D1 has a 4:3 aspect ratio 960H has a 16:9 widescreen aspect ratio. The extra pixels are used to form the increased area to the sides of the D1 image. The pixel density of 960H is identical to standard D1 resolution so it does not give any improvement in image quality, merely a wider aspect ratio.
In 1984, Hitachi released the ARTC HD63484 graphics processor, which was capable of displaying up to 4K resolution when in monochrome mode. [73] The resolution was targeted at the bit-mapped desktop publishing market. [73] The first commercially available 4K camera for cinematographic purposes was the Dalsa Origin, released in 2003.
The Mavic 2 Pro and Zoom models differ primarily in the camera installed. The Mavic 2 Zoom has a 12MP camera 4× zoom feature (2× optical and 2× digital), while the Pro is fitted with a 20MP Hasselblad camera with a "hyperlapse" feature. [12] [13] Both cameras are capable of recording 4K video at 30 FPS and have 8GB of internal storage. [11] [12]
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
The following cameras allow audio and video to be shot in at least one raw (in the sense of a series of raw image format frames, such as in CineDNG) format. Lossy compression may be present. However, "raw" means the image data should not have gone through demosaicing and further processing, or at least the process should be reversible.