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Vitreography was initially conceived of as an intaglio process, in which line and tone are carved, engraved or etched into the glass plate’s surface. Printing an intaglio plate involves forcing ink into the grooves and pits, and then wiping the plate’s surface with tarlatan [15] to remove excess ink.
Mythological scene with Apollo, Fame, and the Muses by Antoon Sallaert. Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass.
Like other printing on glass methods, it uses a form of printmaking. Digital ceramic printing on glass has allowed for new possibilities and improvements in flat glass decoration and treatment [1] such as high levels of customization, translucency and opacity control, light diffusion and transmission, ability to calculate solar heat gain co ...
Fiducial markers are used in a wide range of medical imaging applications. Images of the same subject produced with two different imaging systems may be correlated by placing a fiducial marker in the area imaged by both systems. In this case, a marker which is visible in the images produced by both imaging modalities must be used.
An obvious English translation of cliché verre is "glass print", but this is usually avoided because the term has another meaning. This is a print that has been glued face down onto glass, the paper then being carefully rubbed off to leave the ink film adhering to the glass. This is then hand-coloured and framed as a decorative piece.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
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A permanent marker can also be removed by drawing over it with a dry erase marker on non-porous surfaces such as a whiteboard, [3] as dry erase markers also contain a non-polar solvent. Most dry-erase board cleaner solutions also contain effective organic solvents like 2-butoxyethanol to remove the pigment.
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