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Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
Hebrews 3:12–14 – Take care, brothers, lest there be in any of you an evil, unbelieving heart, leading you to fall away from the living God. But exhort one another every day, as long as it is called "today," that none of you may be hardened by the deceitfulness of sin.
A Christ figure, also known as a Christ-Image, is a literary technique that the author uses to draw allusions between their characters and the biblical Jesus.More loosely, the Christ figure is a spiritual or prophetic character who parallels Jesus, or other spiritual or prophetic figures.
In the King James Version of the Bible the text reads: Then Joseph her husband, being a just man, and not willing to make her a public example, was minded to put her away privily. The New International Version translates the passage as: Because Joseph her husband was faithful to the law, and yet did not want to expose her to public disgrace,
The author does not want his readers to develop an unbelieving heart like the people of God of old (Israel). Chapter 3, verse 6 ["And we are God's house, if indeed we hold firmly to our confidence and the hope in which we glory"] provides a transition to the strong warning and exhortation found in 3:7–19.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Plate 11 of the engravings, detail of centre image. William Blake's Illustrations of the Book of Job primarily refers to a series of twenty-two engraved prints (published 1826) by Blake illustrating the biblical Book of Job.
Two different models of the process of creation existed in ancient Israel. [15] In the "logos" (speech) model, God speaks and shapes unresisting dormant matter into effective existence and order (Psalm 33: "By the word of YHWH the heavens were made, and by the breath of his mouth all their hosts; he gathers up the waters like a mound, stores the Deep in vaults"); in the second, or "agon ...
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