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Goldilocks is a musical with a book by Jean and Walter Kerr, music by Leroy Anderson, and lyrics by the Kerrs and Joan Ford. Background A ...
Leroy Anderson (/ l ə ˈ r ɔɪ / lə-ROY) (June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler.
Goldilocks is a 12" soundtrack vinyl album taken from the live-action/animated De-Patie-Freleng TV film Goldilocks shown on NBC on March 31, 1970. It was first released in 1970 as DL-3511 by Disneyland Records for a special promotion of Evans-Black Carpets by Armstrong. [1] The album could be purchased for $2.25.
Not included are films where an overture is used to present the credits, or underscored scenes that are already part of the plot. Often, but not necessarily, these films also include an intermission with entr'acte, followed by exit music (after the credits). This list documents the rise and fall of the Overture/Roadshow practice over film history.
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
In 1956, he recorded Frank Loesser's musical The Most Happy Fella, which had so much music that it had to be released as a 3-LP set, an almost unheard of venture for an original cast album in the 1950s. A 1970 documentary by D. A. Pennebaker, Original Cast Album: Company gives a straightforward view of the making of a cast recording. It shows ...
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
An American Overture (originally titled Occasional Overture), Op. 27 is an orchestral composition by Benjamin Britten. It was composed in 1941, while Britten and his life partner, the tenor Peter Pears, lived in the United States. Personal difficulties, global events, and the desire to earn more money goaded Britten to leave England and pursue ...