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A national painting style of landscapes called "true view" began – moving from the traditional Chinese style of idealized general landscapes to particular locations exactly rendered. While not photographic, the style was academic enough to become established and supported as a standardized style in Korean painting.
A national painting style of landscapes called "true view" began – moving from the traditional Chinese style of idealized general landscapes to particular locations exactly rendered. While not photographic, the style was academic enough to become established and supported as a standardized style in Korean painting.
National Museum of Korea. 2009. ISSN 2005-1115. Archived from the original (PDF) on 2014-12-13. original seems dead; MET. Yi Song-mi (1998). "Artistic Tradition and the Depiction of Reality: True-View Landscape Painting of the Joseon Dynasty". In Judith G. Smith (ed.). Arts_of_Korea. Metropolitan Museum of Art, New York. pp. 330–365 and 464 ...
Jeong Seon (Korean: 정선; 1676 – 20 April 1759) [1] was a Korean landscape painter, also known by the art names Gyeomjae and Nangok.His ja was Wonbaek. His works include ink and oriental water paintings, such as Inwangjesaekdo (1751), Geumgang jeondo (1734), and Ingokjeongsa (1742), as well as numerous "true-view" landscape paintings on the subject of Korea and the history of its culture.
Although Jeong Seon made many paintings of Mt. Geumgangsan, this painting is the largest and considered his best. Like many of his paintings, Jeong Seon painted this landscape while viewing the mountains. The painting is 130.7 centimeters in height and 94.1 centimeters in width. It is painted with India ink.
Minhwa means popular painting or people’s art and is traditional Korean folk art from the Chosun era (1392-1910) painted onto paper or on canvas. Yoon (2020) mentions that “Minhwa is a traditional art form that was intimately connected to the lives of the Korean people, so it best embodies the Korean sentiment” (p. 14).
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