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Wyndham Lewis painted The Crowd in 1914 or 1915, when he was involved in the British modern art movement Vorticism, of which he was the founder and leading figure.The crowd motif was inspired by the outbreak of World War I, which made him think about power and crowd manipulation. [1]
Jizzle (ISBN 0-234-77645-5) is a collection of science-fiction thirteen short stories and ... this story also appears in The Best of John Wyndham (a.k.a. The Man ...
In October 2017, Wyndham launched its first soft brand product, the Trademark Hotel Collection, a collection of more than 50 upper-midscale-and-above hotels in Europe and the U.S. [19] In April 2018, the company began rebranding most of its brands to include the Wyndham name, such as "Days Inn by Wyndham", "Ramada by Wyndham", and "Super 8 by ...
Ezra Pound had been championing Wyndham Lewis's work from 1915 with a successful New York lawyer and art collector, John Quinn. [35] Relying on Pound's recommendations, a New York Vorticist exhibition was built around forty-six works by Lewis – some already in Quinn's collection – with additional work by Etchells, Roberts, Dismorr, Saunders ...
Wyndham Lewis, 1912, The Dancers Wyndham Lewis, c.1914–15, Workshop (Tate, London) In 1908, Lewis moved to London, where he would reside for much of his life. In 1909, he published his first work, accounts of his travels in Brittany, in Ford Madox Ford's The English Review.
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