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Yantra tattooing or Sak Yant is a form of tattooing using Indian yantra designs. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power, protection, fortune, charisma and other benefits for the bearer.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Yantra Tattooing or Sak Yuant (Thai: สักยันต์ RTGS: sak yan) [15] is a form of tattooing using yantra designs in Buddhism. It consists of sacred geometrical, animal and deity designs accompanied by Pali phrases that are said to offer power
Tattoos hold rich historical and cultural significance as permanent markings on the body, conveying personal, social, and spiritual meanings. However, religious interpretations of tattooing vary widely, from acceptance and endorsement to strict prohibitions associating it with the desecration of the sacred body.
Several symbols (animals, flora, instruments, weapons, or even color) in Hindu iconography are associated with particular devas, and vice versa. In certain cases the deities themselves are personifications of natural forces, for instance Agni (fire), Vayu (wind), Surya (Sun) and Prithvi (Earth).
However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [4] Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks. However, some traditionalists object to these practices. [4]
Used as a symbol of Saint Peter. A very common display in churches dedicated to Saint Peter. It has also been modernly used as a satanic or anti-Christian symbol. Eye of Horus: Ancient Egyptian religion: The eye of the god Horus, a symbol of protection, now associated with the occult and Kemetism, as well as the Goth subculture.
This practice only lasted a short time before these secret sacred symbols were hidden by artist like Clifford Possum behind veils of dots. [7] Most of the symbols people associate with aboriginal art from this region like concentric circles, U shapes and wavy lines all come from earlier designs on tjurunga.