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The pulpitum is a common feature in medieval cathedral and monastic church architecture in Europe. It is a massive screen that divides the choir (the area containing the choir stalls and high altar in a cathedral , collegiate or monastic church ) from the nave and ambulatory (the parts of the church to which lay worshippers may have access). [ 1 ]
This declares the Bible to be the foundation of the faith. Furthermore, the "Centrality of the Word" implies that the reading and preaching of the Bible is the centrepiece of a service of worship, and thus takes priority over the sacraments. The central pulpit is intended to give visual representation of this idea. [13] [14]
Deanesly, Margaret (1920) The Lollard Bible and Other Medieval Biblical Versions. Cambridge: University Press; Kienzle, Beverly Mayne (1998) "Holiness and Obedience: denouncement of twelfth-century Waldensian lay preaching", in The Devil, Heresy, and Witchcraft in the Middle Ages: Essays in Honor of Jeffrey B. Russell, ed. Alberto Ferreiro ...
Heresy had been seen as a recurring problem for the medieval Church since the burning of heretics at Orlèans in 1022. [19] The main tool used by the inquisitors was interrogation that often featured the use of torture followed by having heretics burned at the stake. After about a century this first medieval inquisition came to a conclusion.
The term "chancel" itself derives from the Latin word cancelli meaning "lattice"; a term which had long been applied to the low metalwork or stone screens that delineate the choir enclosure in early medieval Italian cathedrals and major churches. The passage through the rood screen was fitted with doors, which were kept locked except during ...
A scientist recently discovered a lost fragment of a manuscript representing one of the earliest translations of the Gospels.
A notable example of the transmission of biblical stories in a vernacular in flux is the c. 1850-line La Estorie del Euangelie, a Middle English poem that paraphrases the Nativity and Passion texts; it was reformulated in least seven quite different versions between the early 1200s to the early 1400s, each in different English dialects (East ...
The medieval popular Bible is a term used especially in literary studies, but also in art history and other disciplines, to encompass the wide variety of presentations of biblical material in medieval culture not directly recorded in the exegetical tradition.