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This category collects images that are scans, screen captures, photos, and/or illustrations of Spider-Man and related characters and intellectual properties for which Marvel Comics holds the copyright and/or trademark.
The second version first appeared in Peter Parker, The Spectacular Spider-Man #47 (October 1980), and was created by Stan Lee and artist Steve Ditko. The third version, Rick Lawson, first appeared in The Sensational Spider-Man #16 (May 1997) and was created by writer Todd DeZago and artist Mike Wieringo.
In issue #97 (Nov. 1998) of the second series titled Peter Parker: Spider-Man, [78] Parker learns his Norman Osborn kidnapped Aunt May and her apparent death in The Amazing Spider-Man #400 (April 1995) had been a hoax. [79] [80] Shortly afterward, in The Amazing Spider-Man (vol. 2) #13 (#454, Jan. 2000), Mary Jane is killed in an airplane ...
Spider-Punk was created by writer Dan Slott and artist Olivier Coipel.The idea of a punk Spider-Man emerged when Coipel proposed the look for Spider-UK.Slott rejected the look as wrong for a member of the Captain Britain corps but used it to develop a new character that would be "all punk".
J. Jonah Jameson appears in Raimi's Spider-Man film trilogy (Spider-Man, Spider-Man 2, and Spider-Man 3), portrayed by J. K. Simmons. This version is a blustering, bombastic, obsessed, and hyperactive man who retains his dislike for Spider-Man , taking delight in anything that might discredit or defame him.
The Tinkerer attempts to capture Spider-Man with the rebuilt Spider-Mobile (in its final appearance). J. Jonah Jameson receives photos of Spider-Man (revealed in issue #161, the photos show Spider-Man unmasking his clone and disposing of him in a factory smokestack). 161..And the Nightcrawler Came Prowling, Prowling... Wein/Andru: Len Wein: Aug ...
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Spider-Man (Miles Gonzalo Morales [1] / m ə ˈ r æ l ɛ s /) is a superhero and the second predominant Spider-Man to appear in American comic books published by Marvel Comics, created in 2011 by writer Brian Michael Bendis and artist Sara Pichelli, along with input by Marvel's then-editor-in-chief Axel Alonso.
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