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The Glasgow dialect, also called Glaswegian, varies from Scottish English at one end of a bipolar linguistic continuum to the local dialect of West Central Scots at the other. [ 1 ] [ 2 ] Therefore, the speech of many Glaswegians can draw on a "continuum between fully localised and fully standardised". [ 3 ]
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
Glaswegian, Keelies, [24] [25] Weegies [26] Glastonbury Glastoids, Ding-a-Lings (a centre of New Age activity) Glossop Hillmen (due to its proximity to the Peak District), Tuppies (after the P. G. Wodehouse character Tuppy Glossop) Gloucester Gloucestrians, Glozzies Godalming Godalmingers, God-all-mingers (pejorative) Golborne Gollums Goole ...
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
Agree almost entirely, expect I believe it should be re-designated as Glaswegian Scots — Glaswegian English being the language of, say, the Scottish media produced in the city, but not of the average people. 86.175.90.153 08:59, 11 January 2017 (UTC)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
On the other hand, in the theme of the Arietta movement that concludes his last piano sonata, Piano Sonata No. 32, Op. 111 (1822), Beethoven presents the chord voicing in a much more daring way, with wide gaps between notes, creating compelling sonorities that enhance the meditative character of the music: