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A "figure of presence" for Chaïm Perelman and Lucie Olbrechts-Tyteca [4] 's Traité de l'argumentation, la nouvelle rhétorique, hypotyposis is, within a discourse (in writing but also to a certain extent in speech), the animated and vivid description of a subject, a scene, a real or fictitious character or an object of art.
The Bathers (French: Les Grandes Baigneuses) is an oil painting by French artist Paul Cézanne (1839–1906) first exhibited in 1906. The painting, which is exhibited in the Philadelphia Museum of Art, is the largest of a series of Bather paintings by Cézanne; the others are in the Museum of Modern Art in New York City, National Gallery, London, the Barnes Foundation, Pennsylvania, and the ...
The easiest stylistic device to identify is a simile, signaled by the use of the words "like" or "as".A simile is a comparison used to attract the reader's attention and describe something in descriptive terms.
It is an example of a transition in Renoir's style from more formal studio painting to a looser Impressionist style. It was exhibited at the Salon de Paris in 1869 under the title En été, étude, with the word "étude" (French for "study") added to deflect criticism of the loose, impressionistic style of the background, which was not as ...
The Contemplation of the World: Figures of Community Style (French: La Contemplation du monde. Figures du style communautaire ) is a book by the French sociologist Michel Maffesoli , published in 1993 through éditions Grasset .
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
De Stijl (/ d ə ˈ s t aɪ l /, Dutch: [də ˈstɛil]; 'The Style') was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden (Theo van Doesburg, J.J.P. Oud), Voorburg (Vilmos Huszár, Jan Wils) and Laren (Piet Mondrian, Bart van der Leck).