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The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1879, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
Unsigned, the painting is attributed to de Arellano due to the wide variety of flowers scientifically portrayed, the precise underdrawing and the quite free arrangement of them with the petals (especially those of the red and white tulip at bottom left) seemingly troubled by a breeze, though the inclusion of a dahlia and orange blossom is rare ...
The idea for the manual was taken up by a former pupil of Nicolas Robert, Catherine Perrot , received at the Académie royale de peinture et de sculpture (1682): The Royal Lessons, or the Method of Painting Miniatures of Flowers and Birds, based on an Explanation of the Books on Flowers and Birds by the late Nicolas Robert, Flower painter [39 ...
For example, sometimes the butterfly is resting on a flower stem, or on the edge of a table with a flower vase, or on a book. The butterfly was used as a device to draw the viewer's attention into the painting and into van Oosterwijck's artistic vision. [8] The butterflies are also symbolic of Christ's resurrection. [17]
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Cicely Mary Barker (28 June 1895 – 16 February 1973) was the illustrator who created the famous Flower Fairies, in the shape of ethereal smiling children with butterfly wings. As a child, she was greatly influenced by the works of the illustrator Kate Greenaway , [ 1 ] whom she assiduously copied in her formative years.
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Her father died in 1650, and in 1651, her mother remarried Jacob Marrel, the flower and still life painter. Marrel encouraged Merian to draw and paint. While he lived mostly in Holland, his pupil Abraham Mignon trained her. At the age of 13, she painted her first images of insects and plants from specimens she had captured. [5]
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