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This was the highest-charting single by The Marshall Tucker Band, reaching number 14 on the Billboard Hot 100 chart on June 11, 1977. [6] It also reached number 51 on the Country chart and number 25 on the Adult Contemporary chart. "Heard It in a Love Song" was a bigger hit in Canada, where it reached number 5 on the Pop chart.
The "Marshall Tucker" in the band's name does not refer to a band member, rather to a blind piano tuner from Spartanburg. [4] While the band was discussing possible band names one evening in an old warehouse they had rented for rehearsal space, someone noticed that the warehouse's door key had the name "Marshall Tucker" inscribed on it, and suggested they call themselves "The Marshall Tucker ...
Toy Caldwell Band Musical artist Toy Talmadge Caldwell Jr. (November 13, 1947 – February 25, 1993) was an American musician who was most notable as the lead guitarist and main songwriter of the 1970s Southern Rock group The Marshall Tucker Band . [ 1 ]
Carolina Dreams, released in 1977, was the Marshall Tucker Band's sixth album and an ode to the band's home state, South Carolina, USA.Focusing on Western themes, it spawned their biggest hit to date, "Heard It In a Love Song", which rose to #14 on the Billboard Hot 100, taking the album with it to #22 and #23 on the Country and Pop charts, respectively.
Toy Caldwell: The Marshall Tucker Band: 5:44: 7. "Blue Ridge Mountain Sky" Toy Caldwell: A New Life: 6:52: 8. "The Thrill Is Gone" (featuring congas by Jamie Nichol, drums by Fred Edwards, guitar by Charlie Daniels and Dickey Betts, harmonica by Jimmy Hall, piano by Chuck Leavell) Rick Darnell, Roy Hawkins 10:49: 9. "Ramblin'" Toy Caldwell: The ...
Toy Caldwell - electric and acoustic guitars, steel guitar, lead vocals on "Can't You See" Tommy Caldwell - bass guitar, backing vocals; George McCorkle - electric and acoustic guitars, banjo; Jerry Eubanks - alto, baritone and tenor saxophone, flute, backing vocals; Paul Riddle - drums; Guest musicians: Dickey Betts - guitar solo on "Searchin ...
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Stephen Thomas Erlewine wrote for AllMusic, "Although it runs a little long, Where We All Belong captures the sound of The Marshall Tucker Band coming into its own". [2] The staff of Classic Rock magazine gave the album a score of 6.88 out of 10 from 59 votes, with one writer opinining that the album was at its strongest in its rock and blues-oriented material, and at its weakest in its ...