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"Linus and Lucy" is a popular instrumental jazz standard written by American jazz pianist Vince Guaraldi. It serves as the main theme tune for the many Peanuts animated specials and is named for the two fictional siblings, Linus and Lucy Van Pelt .
Additional tracks, such as "Clark and Guaraldi", a brief jam session between Guaraldi and Clark, highlight the collaborative dynamic of the recording sessions. Bonus mixes of "Peppermint Patty" and "Linus and Lucy" further demonstrate Guaraldi’s experimental approach during this period. [1]
Guaraldi enthusiastically refused, saying "I’ve got to play this for someone right now or I’ll explode!" He then began playing the yet-untitled "Linus and Lucy" for Mendelson, who agreed the song was perfect for Charles Schulz's Peanuts characters. [24] Reflecting on the song in 2008, Mendelson said, "it just blew me away.
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Colin Bailey – drums ("Linus and Lucy", "Greensleeves") Children's chorus for the songs "Christmas Time Is Here", "Hark, The Herald Angels Sing" and when the kids all shout "Merry Christmas Charlie Brown" was the Children's choir of St. Paul's Episcopal Church in San Rafael, California.
"Linus and Lucy" 2011: A Vince Guaraldi Christmas: Live at Middletree [44] Anderson .Paak "Linus and Lucy" 2018: Spotify exclusive single [96] The Piano Guys "Linus and Lucy" 2013: The Piano Guys 2 [1] performed as "Charlie Brown Medley" [45] Bruce Polson "Linus and Lucy" 1997: The Music of Vince Guaraldi [5] Los Straitjackets "Linus and Lucy" 2015
Peanuts Portraits is the fifth compilation album by jazz pianist Vince Guaraldi released by Fantasy/Concord Records on April 20, 2010. The album contains a mix of previously released material plus alternate and extended versions of songs featured in prime-time animated television specials based on the Peanuts comic strip by Charles M. Schulz.
While many of the cues were brief — ranging from 30 to 90 seconds — they were carefully composed and executed to support the animated scenes. One of the most significant reworkings of earlier material was "Linus and Lucy," which was arranged with greater complexity, featuring a call-and-response between Guaraldi’s piano and Ellis ...
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