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The volume, titled Don DeLillo: Three Novels of the 1980s, collects the three major works DeLillo published during the decade: The Names (1982), White Noise (1985), and Libra (1988). The volume also features two nonfiction essays by DeLillo: "American Blood", about the assassinations of John F. Kennedy and Jack Ruby , and "Silhouette City ...
DeLillo has stated that Libra is not a nonfiction novel due to its inclusion of fictional characters and speculative plot elements. [1] Nevertheless, the broad outline of Oswald's life, including his teenage years in New York City, his military service, his use of the alias "Hidell", [2] and his defection to the Soviet Union are all historically accurate.
White Noise is the eighth novel by Don DeLillo, published by Viking Press in 1985. It won the U.S. National Book Award for Fiction. [1] White Noise is a cornerstone example of postmodern literature. It is widely considered DeLillo's breakout work and brought him to the attention of a much larger audience.
Don DeLillo’s debut novel, “Americana,” is set to be adapted 51 years after it was first published. “White Noise” producer Uri Singer (“Tesla,” “The King of Oil”) has bought the ...
Jez Butterworth will adapt Don DeLillo’s “The Silence” for the screen, Variety has learned. Producer Uri Singer, who is also producing and helped put together Netflix’s upcoming adaptation ...
The Names (1982) is the seventh novel of American novelist Don DeLillo.The work, set mostly in Greece, is primarily a series of character studies, interwoven with a plot about a mysterious "language cult" that is behind a number of unexplained murders.
Underworld is a 1997 novel by American writer Don DeLillo.The novel is centered on the efforts of Nick Shay, a waste management executive who grew up in the Bronx, to trace the history of the baseball that won the New York Giants the pennant in 1951, and encompasses numerous subplots drawn from American history in the second half of the twentieth century.
In Players DeLillo precipitates many of the themes wrought by rampant consumerism in late twentieth century America that he would later explore in White Noise and Underworld. The notion of terrorist as societal actor, the appeal of fringe ideologies, and the utility of conspiracies first explored here would later be given more in-depth ...