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Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society. Oxford, 2000. ISBN 1-900755-09-2. Mary Rogers, Paola Tinagli. Women in Italy, 1350—1650 ...
Nicholson, Elizabeth S. G. "Diana Scultori." Italian Women Artists from Renaissance to Baroque: National Museum of Women in the Arts. Milano: Skira, 2007; Rocco, Patricia. The Devout Hand: Women, Virtue, and Visual Culture in Early Modern Italy, McGill-Queen's Press - MQUP, 2017 “Splendid Japanese Women Artists of the Edo Period”.
The painting depicts two groups of nude women: two lying in the foreground and three bathers in the background to the right. One of the models of this painting is Andrée Hessling, who became the first wife of Renoir's son, Jean. The natural setting displayed in the painting was the large garden of the house owned by the painter in Cagnes-sur ...
The University of Michigan Museum of Art, in Ann Arbor, Michigan. Curated by Annette Dixon, [1] the exhibition featured over 100 works of Renaissance and baroque art (including paintings, prints, books, drawings, sculpture and decorative art objects) loaned by a variety of institutions, including the Uffizi, the British Museum, the Louvre, the Bibliothèque National, the Museum of Fine Arts ...
The portrayal of nude women in an idealised setting is reminiscent of classical scenes of semi-nude figures, such as those portrayed in Venetian Renaissance art. [ 1 ] The artist Henri Matisse was a great admirer of Three Bathers and considered it to be a work of great importance.
Tina Modotti (1896–1942), photographer, model and actress; Maria Molin (18th century), pastellist; Eleonora Monti (1727–1760), painter; Sandra Moreschi (born 1946), designer of Jewish ceremonial art; Emma Moretto (19th century), painter; Marisa Mori (1900–1985), Futurist painter and printmaker; Valentina Murabito (born 1981), photographer ...
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Nude Sitting on a Divan (The Beautiful Roman Woman) is an oil on canvas painting by Italian artist Amedeo Modigliani depicting a partially draped woman seated with crossed legs against a warm red background. The work was one of a series of nudes painted by Modigliani in 1917 that created a sensation when exhibited in Paris that year.