Search results
Results from the WOW.Com Content Network
[1] [2] It reflects Christine McVie's feelings after her separation from Fleetwood Mac's bass guitarist, John McVie, after eight years of marriage. McVie noted in The Fleetwood Mac Story: Rumours and Lies, that "Don't Stop" was directed towards her ex-husband John McVie, [3] who was unaware of the song's subject matter until its release. "I've ...
50 Years – Don't Stop is Fleetwood Mac's most recent career-spanning collection. It features liner notes by veteran music writer David Wild. [4] The Belfast Telegraph said of the album, "The 50-track compilation is the sound of a band pulling themselves apart, and putting themselves back together, over the course of half a century."
"Never Going Back Again" is a song written by Lindsey Buckingham that was first released by the British-American rock band Fleetwood Mac on their eleventh studio album Rumours (1977). The song was also released as the B-side to the top-ten single "Don't Stop" in the US and the "You Make Loving Fun" single in the UK.
Whether it’s Nick Cave or Nas, The Libertines or Nirvana, what they all have in common is the ability to make you stop dead in your tracks and feel as if your world has briefly been tipped head ...
"Don't Stop", written by Christine McVie, is a song about optimism. She noted that Buckingham helped her craft the verses because their personal sensibilities overlapped. [19] McVie's next track, "Songbird", features more introspective lyrics about "nobody and everybody" in the form of "a little prayer". [32] "
"Stop Messin' Round" is credited to Peter Green and C.G. Adams, Fleetwood Mac's manager, who also used the name Clifford Davis. [1] Only two of the song's 12-bar verses include vocals: the first uses the common call and response or AAB pattern, while the second includes four bars of stop-time, before concluding with the same refrain as the first: [2]
"Say You Love Me" is a song written by English singer-songwriter Christine McVie for Fleetwood Mac's 1975 self-titled album. The song peaked at No. 11 on the Billboard Hot 100 for three weeks, and remains one of the band's most recognizable songs.
[16] New York Times critic John Rockwell called the single a "classy record" and commented on the appeal provided by Nicks' "strange, nasal yet husky soprano" and Mick Fleetwood's "wonderfully crisp, exact drumming." [17] The Guardian and Paste ranked the song number one and number four, respectively, on their lists of the 30 greatest Fleetwood ...