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The speech, known as the Areopagus sermon, refers to a sermon or explanation delivered by Apostle Paul at the Areopagus in Athens, and described in Acts 17:16–34. [20] [21] The Areopagus sermon is the most dramatic and fullest reported speech of the missionary career of Saint Paul and followed a shorter address in Lystra Acts 14:15–17. [22]
A Message Came to A Maiden Young [1]; Accept Almighty Father; Adeste Fideles; Adoramus te; Adoro te devote; Agnus Dei; All Glory, Laud and Honour; All of seeing, all of hearing
2nd Chapter of Acts. Annie Herring – vocals, vocal arrangements; Nelly Greisen – vocals, vocal arrangements; Matthew Ward – vocals, vocal arrangements; Musicians. John Andrew Schreiner – keyboards, instrumental arrangements
The first vocal movement combines several aspects of getting ready to die, based mostly on texts from the Old Testament. Bach expresses their ideas in a variety of musical form and scoring. The movement opens (2a) on a text in free poetry, "Gottes Zeit ist die allerbeste Zeit" (God's time is the best of all times). [1]
New Irish Hymns 2 — The Grace Song of Heaven: 2005 Kristyn Getty: Songs That Jesus Said — Hear All Creation: 2001 Margaret Becker: New Irish Hymns — He Is My Light Based on John 1:4-5, John 8:12: 2002 Kristyn Getty: Songs That Jesus Said — Holy Child, Who Chose the Hearts of Men: 2004 Kristyn Getty: New Irish Hymns 3: Lyrics: How Good ...
Hymns II is the second collection of hymns and the final studio album from 2nd Chapter of Acts, released in 1988. 2nd Chapter of Acts provided the vocals in this release. Annie Herring wrote "Purify Me".
A Collection of Hymns and a Liturgy: for the use of Evangelical Lutheran Churches, to which are added prayers for families and individuals (1834) [257] Church Hymn Book; consisting of hymns and psalms, original and selected. adapted to public worship and many other occasions (1838) [258] Church of the Lutheran Confession. The Lutheran Hymnal (1941)
It was published in 2008, 15 years after Christian Worship, and contains 88 hymns numbered from 701 to 788. [6] The hymnal was intended to be used alongside Christian Worship, providing a newer and broader range of hymns, psalms, and liturgical materials.