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Lievens and Rembrandt were friends and probably worked together. [2] The composition of the painting may derive from a drawing by Rembrandt from the same time as the Burial of Christ. Rembrandt would most closely imitate Raising of Lazarus with his 1635/1639 painting The Resurrection.
The Entombment of Christ (c. 1633-1635) by Rembrandt The Entombment of Christ is an oil-on-oak panel painting by Rembrandt believed to be dated around c. 1624. It measures 32.2 x 40.5 cm. The composition is a variant of a painting of the same subject now in the Alte Pinakothek, in Munich. In 1783, the Scottish anatomist William Hunter bequeathed it to University College (now the University of ...
The Risen Christ Appearing to Mary Magdalene: 1638: Oil on panel: 61 x 49.5: Royal Collection: The Entombment: 1639: Oil on canvas: 92.6 x 68.9: Alte Pinakothek, Munich The Resurrection: 1635–1639: Oil on canvas: 92.9 x 67: Alte Pinakothek, Munich The Entombment of Christ: 1630s: Grisaille, panel: 32.1 x 40.3: Hunterian Museum and Art Gallery ...
There are multiple versions of Rembrandt's Head of Christ which are in the possession internationally of cultural institutions and individuals. During the course of the 19th-century it was supposed that these similar heads were based on a "Jewish model" (leading some to suppose that Rembrandt himself was Jewish, since he lived in what was considered the Jewish quarter of Amsterdam).
Resurrection of Christ: 1534 Antonio Solario (lo Zingaro) Madonna with Child and Donor: 1500–1510 Jan Soens: St. Cecilia and the Vision of St. John: c. 1590 Jan Soens: Jove and Antiope: 1580–1590 Jan Soens: Allegory of the Tablet of the Theban Cebes: 1575–1587 Jan Soens: Baptism of Christ: 1585 Massimo Stanzione: Sacrifice by Moses: 1628 ...
The woman in the background, who either represents Mary or Anna the Prophetess, was probably added after artist's death by an unknown painter working in Rembrandt's workshop. [2] [3] Rembrandt had painted the same motif at least twice before: in Simeon and Anna in the Temple, [4] [5] and in Simeon's Song of Praise. [6] [7]
Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 40.
The Seilern Triptych.Oil on panel, 60 x 48.9 cm (central panel without frame), 60 x 22.5 cm (wing without frame) The Seilern Triptych (also known as Entombment), variously dated c. 1410-15 or c. 1420–25, [1] [2] [3] is a large oil and gold leaf on panel, fixed winged triptych altarpiece generally attributed to the Early Netherlandish painter Robert Campin. [4]