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There are three important silk textiles in Cambodia: (1) the ikat silks (chong kiet in Khmer), or hol; (2) the twill-patterned silks; and (3) the weft ikat textiles. Patterns are made by tying natural or synthetic fibers on the weft threads and then dyeing them.
19th century silk pidan. A pidan is a type of silk cloth used in Cambodian and Khmer weddings, funerals, and Buddhist ceremonies as a canopy or tapestry. Pidan are often decorated with images of wats, nāgas, apsaras, scenes from the life of Buddha, Angkor Wat, animals (especially elephants), and plants. [1]
According to Hab Touch, director of the National Museum of Cambodia, the krama may date back to the Pre-Angkor Norkor Phnom era, between the first and fifth centuries CE. . Over the period, many Shivas and other Hindu gods wearing the kben (a simple hip wrapper rolled at the waist takes the form of a large krama) have been recovered at the Angkor Borey si
A 19th century silk pidan A Cambodian woman weaving silk near Siem Reap, 2011. Silk weaving in Cambodia has a long history. The practice dates to as early as the late 13th century. According to Zhou Daguan's record, "None of the locals produces silk. Nor do the women know how to stitch and darn with a needle and thread.
The Cambodian ikat is a weft ikat woven of silk on a multi-shaft loom with an uneven twill weave, which results in the weft threads showing more prominently on the front of the fabric than the back. [19] [20] By the 19th century, Cambodian ikat was considered among the finest textiles of the world.
The Phamuong Chorabap is a luxurious fabric using up to 22 needles to create. Phamuong variation are rabak, chorcung, anlounh, kaneiv and bantok. It usually uses floral and geometric motifs. The most valued silk used to create the Phamuong is Cambodian yellow silk, known for its fine quality in the region.
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