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The Section d'Or ('Golden Section') was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism. [114] Active from 1911 to around 1914, they adopted the name both to highlight that Cubism represented the continuation of a grand tradition, rather than being an isolated movement, and in homage to the mathematical ...
Piet Mondrian used the golden section extensively in his neoplasticist, geometrical paintings, created circa 1918–38. [ 31 ] [ 41 ] Mondrian sought proportion in his paintings by observation, knowledge and intuition, rather than geometrical or mathematical methods.
Now extend the altitude CD beyond D by |BD| and denote the endpoint of the extension with E. The ray EA intersects the circle around D with radius |CD| in F and A divides now EF according to the golden section. [3] Odom used 3-dimensional geometrical shapes in his artwork, which he examined for occurrences of the golden ratio as well.
Tschichold says that common ratios for page proportion used in book design include as 2:3, 1: √ 3, and the golden ratio. The image with circular arcs depicts the proportions in a medieval manuscript, that according to Tschichold feature a "Page proportion 2:3. Margin proportions 1:1:2:3. Type area in accord with the Golden Section.
Category:Designers that used golden ratio ... the Golden section and the Golden string hosted by the Mathematics Department of the University of Surrey, UK. ...
In geometry, a golden rectangle is a rectangle with side lengths in golden ratio +:, or :, with approximately equal to 1.618 or 89/55. Golden rectangles exhibit a special form of self-similarity : if a square is added to the long side, or removed from the short side, the result is a golden rectangle as well.
It's the largest section of the chronically under-visited Channel Islands National Park. The island’s Scorpion Anchorage , where most visitors arrive, is about an hour’s boat ride via Island ...
Along with the golden rectangle and golden spiral, the Fibonacci sequence is mentioned in Darren Aronofsky's independent film Pi (1998). They are used to find the name of God. In The Da Vinci Code (2006), the numbers are used to unlock a safe.