Search results
Results from the WOW.Com Content Network
The Companion to Irish Traditional Music. New York University Press. ISBN 0-8147-8802-5. a b Between the Jigs and the Reels: The Donegal Fiddle Tradition C Mac Aoidh - 1994 - Drumlin Publications; Donegal and Shetland Fiddle Music D McLaughlin, Irish Traditional Music Society - 1992 - Irish Traditional Music Society, University College, Cork
Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.
The Donegal fiddle tradition is one of the distinct fiddle traditions within Irish traditional music. [1] The distinctness of the Donegal tradition developed due to the close relations between County Donegal and Scotland , and the Donegal repertoire and style has influences from Scottish fiddle music .
Yet another song by The Dubliners, this traditional fiddle-driven tune is an old Gaelic marching song that stirs the soul and calls Irish citizens to action. 'The Fields of Athenry' by Paddy Reilly
A History of Music at the Cathedrals of the Church of Ireland (Belfast: Institute of Irish Studies, Queen's University of Belfast, 1989). Hast, Dorothea & Scott, Stanley: Music in Ireland. Experiencing Music, Expressing Culture (New York: Oxford University Press, 2004). Hogan, Ita M.: Anglo-Irish Music, 1780–1830 (Cork: Cork University Press ...
The free-form evening will be more like a classic Irish music session than a formal gig, with attendees encouraged to get up and dance. Social, cultural traditions of Irish music celebrated at ...
The difference was likely compounded by the different sounds expected of violin music and fiddle music. Historically, the majority of fiddle music was dance music, [3] while violin music had either grown out of dance music or was something else entirely. Violin music came to value a smoothness that fiddling, with its dance-driven clear beat ...
Reel music is notated in simple metre, most commonly either in 2 2 or 4 4. For example, the same reel Rakish Paddy is notated in a 2 2 time signature in O'Neill's Music of Ireland, New & Revisited, [5] but in 4 4 time in English, Welsh, Scottish & Irish Fiddle Tunes, [6] with no change to the note lengths.