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The fiddle is one of the most important instruments in the traditional repertoire of Irish traditional music. The fiddle itself is identical to the violin, however it is played differently in widely varying regional styles. In the era of sound recording some regional styles have been transmitted more widely while others have become more uncommon.
Paddy Glackin was born on 5 August 1954 in Clontarf, Dublin. [1] His father, Tom Glackin, was an officer with the Garda Síochána in Dublin and a notable fiddle player who instilled in Paddy a deep interest and love of the music of his native County Donegal, and taught him and his brothers Kevin and Seamus to play the instrument.
The Donegal fiddle tradition is one of the distinct fiddle traditions within Irish traditional music. [1] The distinctness of the Donegal tradition developed due to the close relations between County Donegal and Scotland , and the Donegal repertoire and style has influences from Scottish fiddle music .
Aidan Connolly (Irish: Aodhán Ó Conghaile; born 1991) is an Irish fiddler and teacher from Dublin. [1] Connolly is known for his unique style of fiddle playing and is a highly sought-after performer both in Ireland and abroad. [2]
Patrick Kelly (1905–1976) was an Irish fiddle-player and teacher. Kelly was born in Cree, County Clare, and learned to play when he was young. His youth were the heyday of the American Wakes and the house dances. His style was influenced by the Kerry fiddler George Whelan (also the mentor of his father) and Danny Mescal. Both acted as his ...
Both Canny and P.J. Hayes were featured on the 1959 album, All-Ireland Champions: Violin, one of the first major commercial recordings of Irish traditional music. Paddy's rendition of the traditional song "Trim the Velvet" was the signature tune of the long-running radio program A Job of Journeywork. By the mid-1960s, however, Canny decided the ...
Liam O'Connor (Irish: Liam Ó Conchubhair; born 1984) is an Irish fiddler, collector, researcher and teacher from County Dublin. He is the current director of the Irish Traditional Music Archive (ITMA). O'Connor has been described by The Journal of Music as "one of the outstanding fiddle-players of his generation". [1]
From a violin player in the neighboring town of Glin, he learned the rudiments of the fiddle and how to read and write music; from his mother he learned the Irish traditional style. [1] His early repertoire was learned both from written sources such as the Roche Collection of Traditional Irish Music, Ker, and O'Neill's 1001, and from local ...
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