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Sophie Xeon (/ ˈ z iː ɒ n /; 17 September 1986 – 30 January 2021), known mononymously as SOPHIE (stylized in all caps), was an English [7] [8] [9] music producer, songwriter, and DJ. Her work is known for its brash take on pop music and is distinguished by experimental sound design , "sugary" synthesized textures, and incorporation of ...
Oil of Every Pearl's Un-Insides incorporates an eclectic array of genres and styles including avant-pop, industrial music, glitch music, electro, ambient, dance-pop, EDM, ambient house, industrial techno, drone, synth-pop, Eurodance, contemporary R&B, dream pop, trap, bubblegum pop, and musique concrete.
Wired received mostly positive reviews when it was released. In Rolling Stone, the reviewer cited it as being full of "fire and imagination". [5] However, Robert Christgau faulted it as technically proficient but soulless, calling it "mindless trickery". [6]
"Groovejet (If This Ain't Love)" is a song by the Italian electronic music DJ and record producer Spiller with lead vocals performed by English singer-songwriter Sophie Ellis-Bextor. [1] Various versions of the single were later featured on the German reissue and some UK editions of Ellis-Bextor's debut solo studio album, Read My Lips (2001).
Hyper-pop embodies an exaggerated, eclectic, and self-referential approach to pop music and typically employs elements such as brash synth melodies, Auto-Tuned "earworm" vocals, and excessive compression and distortion, as well as surrealist or nostalgic references to 2000s Internet culture and the Web 2.0 era. [5]
Sophie B. Hawkins – synthesizer, acoustic guitar, banjo, percussion, piano, electric guitar, keyboards, marimba, vocals, vibraphone, djembe, udu; Additional ...
"Faceshopping" is a song recorded by the UK-based recording artist and producer Sophie featuring vocals by Cecile Believe. [1] The song was the third and final single released ahead of Sophie's full-length debut album, Oil of Every Pearl's Un-Insides. [2] [3] [4] It was considered one of the best songs of the year by Mixmag [5] and The Line of ...
Sophie felt that it was the most mainstream of all Oil of Every Pearl's Un-Insides tracks. [1] The track was described as hyperpop . [ 1 ] [ 2 ] Sources described "Immaterial" as a reference to the Madonna song " Material Girl "; [ 3 ] [ 4 ] Sophie had initially titled it "Immaterial Girl" for a direct reference.