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There were three fire places all of different styles, one had been sealed off by 2008. The living room was brick, the dining room plaster, and the bedroom cast-iron. [1] The original flooring was made from hand-planed kauri tongue-and-groove boards. [1] The support structure for the septic tank served as a shed.
The room was divided into two floors in 1929 when the new school chapel was built, all the timber panelling being reused in the new chapel. Only the plaster ceiling decoration survives, this consists of octagons, crosses and hexagons. The elaborate carved wood panelling of cedarwood came from a house in Cornwall also called Stowe.
Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament which was frequent feature of Rocaille decoration. [7]
The architects chosen to design the new building were Edouard Bérard (1843–1912) and Fernand Etienne-Charles Delmas (1852–1933) from Paris. During the early 20th century, Victor Mollet served as its official architect. The building is located on the place de la République, in the center of the city, facing the préfecture of Lille. It was ...
The design of the exterior façade was also changed with a flat projecting central risalit and new windows. Schnitzler used a trick here: in order to adapt the façade of the three kitchen floors to the two-storey manor house, the lower row of high arched windows not only illuminated the first floor, but also the low mezzanine floor above.
The Nathaniel Russell House is an architecturally distinguished, early 19th-century house at 51 Meeting Street in Charleston, South Carolina, United States. [2] [3] Built in 1808 by wealthy merchant and slave trader Nathaniel Russell, [4] it is recognized as one of the United States' most important neoclassical houses. [5]
The New York Daily News, investigating the causes behind the high cost of the renovation, found that much of the cost was due to the opulence of the original design. For instance, the facade cost $13 million to restore, and the reproduction of the skylights, masonry, and doors cost another $3.2 million.
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