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Embroidery is an integral part of many Kashmiri handicrafts, shawls, carpets and Kashmiri ladies pheran are adorned with intricate embroideries or flower styles made of thin metal threads and this kind of embroidery is known as 'Tille' in Kashmiri language. Embroidery work is done by both men in women in the region conventionally.
The base material for Kashida is cotton, wool or silk in a variety of colours like white, blue, yellow, purple, red, green and black. The stitches may vary with the material to be embroidered. [7] Do - rukha'l embroidery (Chamba Kasidakari) has characteristics of its own which differentiates it from other forms of embroidery in India. [3] [4]
Further styles include naala jaal which involves embroidery particularly on the neckline and chest/yoke: naala means neck in the Koshur dialect of Kashmiri language; jaama is a very dense embroidery covering the whole base fabric with a thick spread of vine/creepers and flowers, badaam and heart shapes, a variation of this form is neem-jaama ...
Pheran worn by a Kashmiri Pandit woman, 1922. Taranga. Hindu women use a headwear called "taranga" (Kashmiri pronunciation:), which is a headdress which becomes smaller down at back, towards the heels. It is popular in some areas of Kashmir. Kasaba. Kashmiri Muslim women use a headwear known as the "kasaba" (Kashmiri pronunciation:). The kasaba ...
Supply fell short of demand and manufacturers pressed to produce more, created convincing embroidered versions of the woven shawls that could be produced in half the time. As early as 1803, Kashmiri needlework production was established to increase and hasten output of these shawls, which had been imitated in England since 1784 and even in France.
In nineteenth-century English literature Kashmiri shawls were coded as women's luxuries. They acquired the status of heirlooms, worn by a girl on her marriage and coming-of-age. [15] They were inherited rather than purchased. [16]
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