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Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...
Mark Ulano (June 12, 1954) is an Academy Award-winning American production sound mixer. He has won an Academy Award for Best Sound and has been nominated for three in the same category. He has been recording sound for film professionally since 1976. His work on Titanic won him an Academy Award for Sound Mixing as well as the Cinema Audio ...
Year Film Nominees 1993 (1st) [1]The Fugitive: Scott D. Smith (production mixer); Donald O. Mitchell, Michael Herbick, Frank A. Montaño (re-recording mixers): Cliffhanger: Tim Cooney (production mixer); Bob Beemer, Michael Minkler (re-recording mixers)
Dune – Mac Ruth (production mixer); Ron Bartlett, Douglas Hemphill (re-recording mixers); Alan Meyerson (scoring mixer); Tommy O'Connell (adr mixer); Don White (foley mixer) No Time to Die – Simon Hayes (production mixer); Paul Massey, Mark Taylor (re-recording mixers); Stephen Lipson (scoring mixer); Mark Appleby (adr mixer); Adam Mendez ...
It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories. [2]
Making Waves: The Art of Cinematic Sound: David J. Turner (production mixer); Tom Myers (re-recording mixers); Dan Blanck (scoring mixer); Frank Rinella (foley mixer) Apollo 11: Brian Eimer, Eric Milano (re-recording mixers) Echo in the Canyon: John W. Rampey (production mixer); Chris Jenkins, Paul Karpinski (re-recording mixers); Dave Way ...
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