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Medieval art was now heavily collected, both by museums and private collectors like George Salting, the Rothschild family and John Pierpont Morgan. After the decline of the Gothic Revival, and the Celtic Revival use of Insular styles, the anti-realist and expressive elements of medieval art have still proved an inspiration for many modern artists.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Detail from a medieval Doom wall-painting, St Andrew's Church, Chesterton, Cambridge, 15th century Slay Judgement, Fra Angelico, panel painting, 1425–1430 Last Judgement, Stefan Lochner, panel painting, 1435 St Mary's Church, North Leigh, Oxfordshire, 15th century St James's Church, South Leigh, Oxfordshire, 15th century Detail from the 12th-century mural at the Church of St Peter and St ...
“A lot of the art being made (in the Medieval era) was people drawing on things from their life and experiences… that were part of popular culture,” Swarthout said in a phone call with CNN.
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Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare, "to colour with minium", a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
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