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In addition to this, the gongs are tuned by sticking promor (a lead and wax combination) to the underside of the nipple. Two holes are drilled on either side of the gong so it can be suspended in the frame with copper wire. The same gong mallets are used for the kong toch and the kong thom. The mallets have a 25 cm long stick. The heads are ...
Cồng chiêng - tuned gong (comes in both flat and knobbed varieties) Tam âm la - set of three small, high-pitched flat gongs in a frame; used primarily in nhã nhạc music; T'rưng - bamboo xylophone; Đàn đá - lithophone, commonly having 9+ stone bars, 65–102 cm (26–40 in) in length. It is believed the instrument dates back to 1000 BC.
Instruments are (clockwise from front) gong chimes kong von thom and kong toch, roneat ek xylophone, samphor drum, skor thom drum, sralai toch and thom oboes in glass case, ching or chap small cymbals (also in glass case), roneat dek metal xylophone, and roneat thung bamboo xylophone (half in edge of photo).
Xiaoluo (小锣) – a small flat gong whose pitch rises when struck with the side of a flat wooden stick; Yueluo (月锣) – small pitched gong held by a string in the palm of the hand and struck with a small stick; used in Chaozhou music; Jingluo (镜锣) – a small flat gong used in the traditional music of Fujian
The yunluo is a set of usually ten small tuned gongs mounted in a wooden frame, with each gong being about 9-12 cm in diameter, and the height of the frame being about 52 cm. The yunluo' s gongs are generally of equal diameter but different thicknesses; the thicker gongs produce a higher pitch.
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Convex round center is the position for hitting. (called "gong buttons"), the rim is broken down to the surrounding edge (called "Chat") at the edge of the tiered side. Drill a hole in the leather string to attach it to the gong shop inside of the gong. In the area where the gong is placed, a wax-lead mixture is applied to counteract the sound.