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The American minstrel show consisted of comic skits, variety acts, dancing, and music, performed by white people in blackface or, especially after the American Civil War, black people in blackface. Minstrel shows toured the same circuits as opera companies, circuses, and European entertainers, with venues ranging from lavish opera houses to ...
Originally, a cèilidh was a social gathering of any sort, and did not necessarily involve dancing: . The 'ceilidh' is a literary entertainment where stories and tales, poems and ballads, are rehearsed and recited, and songs are sung, conundrums are put, proverbs are quoted, and many other literary matters are related and discussed
Nationality is sometimes used simply as an alternative word for ethnicity or national origin, just as some people assume that citizenship and nationality are identical. [37] In some countries, the cognate word for nationality in local language may be understood as a synonym of ethnicity or as an identifier of cultural and family-based self ...
For the second on this world you made, For the love that will never fade, For a heart beating with joy, For all that's real, for all we feel. Someone's singing, my Lord, kum bay ya; Someone's singing, my Lord, kum bay ya; Someone's singing, my Lord, kum bay ya, O Lord, kum bay ya. Oh, I need you, my Lord, kum bay ya; Oh, I need you, my Lord ...
"Bibbidi-Bobbidi-Boo" (also called "The Magic Song") [1] is a novelty song, written in 1948 by Al Hoffman, Mack David, and Jerry Livingston. Introduced in the 1950 film Cinderella, and performed by actress Verna Felton, the song is about the Fairy Godmother transforming an orange pumpkin into a white carriage, four brown mice into white horses, a gray horse into a white-haired coachman and a ...
Pages in category "Singers by nationality" This category contains only the following page. This list may not reflect recent changes. S.
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The term "White race" or "White people", defined by their light skin among other physical characteristics, entered the major European languages in the later seventeenth century, when the concept of a "unified White" achieved greater acceptance in Europe, in the context of racialized slavery and social status in the European colonies.