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One version of a melody for "Aiken Drum" The Scottish folk group The Singing Kettle performs this song for children in an interactive way by allowing the children to decide the foods of which Aiken Drum is made. A version is included on their CD Singalong Songs from Scotland, produced in 2003 for Smithsonian Folkways Recordings. [4]
Bell and Gardener's barnstorming guitars, Steve Queralt's girder-thick bassline, and Colbert's Moon-sized drum fills all could fill canyons individually, yet never once does it sound like something other than four guys in a room." [10] In 2014, NME placed it at No. 273 on its list of the 500 Greatest Songs of All Time. [11]
For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove —a lick that 'fills in the gaps' of the music and/or signals the end of a phrase.
The song plays a prominent role in the book and film Bang the Drum Slowly, in which a version of the song is sung by actor Tom Ligon in his role as Piney Woods. The words from the title replace the words "beat the drum slowly" from the lyrics below.
The suggestion involved Tom moving one of JR's impromptu drum fills to the beginning of "Higher Love", by assigning a timing offset to one of two tape machines such that they first played the drum fill followed by the song coming in on the beat. [28] Titelman was very happy with the result, and decided to open the album with this drum fill.
"Paint Box" (or, "Paintbox" on later reissues) is a song by the English rock band Pink Floyd, written and sung by keyboardist Richard Wright. [3] [4] It was first released in 1967 as the B-side to the single "Apples and Oranges". The song is about a man who lives in an abusive relationship and has artificial friends.
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A bass synthesizer was added to obscure this lyric, which Buckingham sang in his highest register. Producer Ken Caillat commented in his book Get Tusked that he was fond of the crescendo that occurs at the song's climax, which features the introduction of the bass synthesizer, McVie's Hammond organ, and drum fills played by Mick Fleetwood. [3]