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You Know That I Know (lyrics by Williams, recorded by Jack White for The Lost Notebooks of Hank Williams) You'll Never Again Be Mine (lyrics by Williams, recorded by Levon Helm for The Lost Notebooks of Hank Williams) Your Cheatin' Heart; You're Through Fooling Me (lyrics by Williams, recorded by Patty Loveless for The Lost Notebooks of Hank ...
The Legend of Hank Williams in Song and Story (with Hank Williams, Jr.) Release date: 1973; Label: MGM Records; 17 — — The Best of Hank & Hank (with Hank Williams, Jr.) Release date: 1992; Label: Curb Records; 44 179 26 Three Hanks: Men with Broken Hearts (with Hank Williams, Jr. and Hank Williams III) Release date: September 17, 1996 ...
This list contains cover songs recorded by American singer-songwriter Hank Williams and the composer(s). The songs are arranged alphabetically. The songs are arranged alphabetically. Contents:
The Complete Hank Williams is a 1998 box set collecting almost all of the recorded works of country music legend Hank Williams, from his first recorded track in 1947 to the last session prior to his untimely death in 1953 at the age of 29. [2]
The LP contains two indisputable Hank Williams classics: the album opener "Lost Highway," which was composed by blind Texas honky tonk singer and songwriter Leon Payne, and the gospel standard "I Saw the Light," which Williams usually sang to close his shows. Five of the album's eight tracks were composed by Williams, with the only legitimate ...
In 1987, singer-songwriter Hank Williams was given a posthumous Grammy Lifetime Achievement Award. Actors’ Playhouse delivers a concert and cautionary tale in ‘Hank Williams: Lost Highway ...
20 Hits Special Collection, Vol. 1 is a greatest hits album by American country music singer and songwriter Hank Williams, Jr. This album was released on November 7, 1995, on the Curb Records label. Track listing
The Daily Telegraph rated the album four stars out of five with a favorable review, saying, "It is rare that any posthumous release becomes an essential part of an artist’s canon, and the very simplicity of Williams’s oeuvre mitigates against declaring classic status for lovingly crafted yet essentially minor songs. But the album is a ...