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Later a reputed Japanese artist Kosetsu Nosu (1885- 1973) [12] and his assistant undertook the task to decorate the temple walls with fresco paintings famously as the Mural paintings of Mulagandha Kuty Vihara, depicting the life events of Sakyamuni Buddha. On the opening day of the Vihara, the Buddha's relics donated to Anagarika Dharmapala by ...
A protector of Buddhist dharma is called a dharmapala. They are typically wrathful deities, depicted with terrifying iconography in the Mahayana and tantric traditions of Buddhism. [3] The wrathfulness is intended to depict their willingness to defend and guard Buddhist followers from dangers and enemies.
Reference to a monastery known as Vikramashila is found in Tibetan records. The Pala ruler Dharmapala was its founder. The exact site of this vihara is at Antichak, a small village in Bhagalpur district (Bihar). The monastery had 107 temples and 50 other institutions providing room for 108 monks. It attracted scholars from neighbouring countries.
Founder Anagarika Dharmapala. The London Buddhist Vihara was founded in 1926 by Anagarika Dharmapala. [2] One of the temple's main benefactors during its early days was Mary Foster, who financed ‘Foster House’ in Ealing. [3] This was the first Sri Lankan Buddhist temple established outside Asia and was named the London Buddhist Vihara in 1926.
Gopala, the founder of the Pala dynasty, who ascended the throne of Bengal in 750 CE, founded the monastic university at Odantapuri. According to Bu-ston, however, the Odantapuri monastery was built by Gopala's son and successor, Dharmapala; while according to Taranatha, it was founded by either Gopala or Devapala.
"Lord Sangharama, the temple's mighty spirit, is dedicated to the Buddha's edict to convey sincerity; to protect the city of the Dharma King, acting as a barricade and sentry, he brings eternal peace to the temple. Homage to the Protector of the Dharma Treasury Bodhisattva Mahasattva.
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Citipati (Sanskrit: चितिपति), Chitipati or Shmashana Adhipati is a protector deity or dharmapala in Tibetan Buddhism and Vajrayana Buddhism of the Himalayas. It is formed of two skeletal deities, one male and the other female, both dancing wildly with their limbs intertwined inside a halo of flames representing change. [ 1 ]