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A sgabello is a type of stool typical of the Italian Renaissance. An armchair with armrests usually was a chair (sedia) of hieratic significance. Sgabelli were typically made of walnut and included a variety of carvings and turned elements. The legs could be either two decorated boards with a stretcher for support, or three separate ornamented ...
Brustolon's carved concolle for vases (Ca' Rezzonico, Venice) Andrea Brustolon (20 July 1662 – 25 October 1732) [ 1 ] was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures.
Pastiglia was decoration in low relief carved or moulded in gesso, and was very widely used. The cassone ("large chest") was one of the trophy furnishings of rich merchants and aristocrats in Italian culture, from the Late Middle Ages onward. The cassone was the most important piece of furniture of that time.
Furniture was often carved in a way hardly legitimate. The legs, the rails of tables and chairs, the frames of cabinets, of looking-glasses, instead of being first made fcr construction and strength. and then decorated, were first designed to carry cherubs heads and rococo (i.e. rock and shell ornament), quite regardless of utility or convenience.
Woodcarver at work Wood sculpture made by Alexander Grabovetskiy. Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object.
The chair in the illustration consists of a wooden flat-arched back rail carved with a coat-of-arms in low relief and connected to the back of the straight arms of the chair and a seat made of narrowly fitted wooden slats. The wood used in the construction of the chair is the typical walnut, as in other gothic and renaissance furniture.
This furniture is usually decorated with basketry motifs, ivory inlays, hippopotamus and elephant ivories, and it was finely carved in the shape of bull legs. The base of each leg, terminated in a ribbed cylinder design to protect the foot of the support. Furniture legs were finished with the pedestal feet.
The furniture of the Middle Ages was usually heavy, oak, and ornamented. Furniture design expanded during the Italian Renaissance of the fourteenth and fifteenth century. The seventeenth century, in both Southern and Northern Europe, was characterized by opulent, often gilded Baroque designs.
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