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Caffenol is a photographic alternative process whereby phenols, sodium carbonate and optionally vitamin C are used in aqueous solution as a film and print photographic developer. [ 1 ] [ 2 ] Other basic (as opposed to acidic ) chemicals can be used in place of sodium carbonate; however, sodium carbonate is the most common.
This overexposed film photograph featuring multiple exposures and visible sprocket holes is an example of a lo-fi photograph. Lo-fi photography uses film or digital photography techniques to create more of a soft, unusual look to photos compared to the crisp and high definition photographs that standard photography aims to provide. [2]
By projecting all three images onto a screen simultaneously, he was able to recreate the original image of the ribbon. #4 London, Kodachrome Image credits: Chalmers Butterfield
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
In Poland, the Monidło is an example of popular hand-coloured wedding photographs. Another hand-colour photographer, Luis Márquez (1899–1978), was the official photographer for and art adviser of the Mexican Pavilion at the 1939-40 World's Fair. In 1937 he presented Texas Governor James V. Allred a collection of hand-coloured photographs.
Stieglitz was notable for introducing fine art photography into museum collections. Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion.
Example of a low-key photograph. Low-key photography is a genre of photography consisting of shooting dark-colored scenes by lowering or dimming the "key" or front light illuminating the scene (low-key lighting), and emphasizing natural [1] or artificial light [2] only on specific areas in the frame. [3]
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.