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Iconoclasm does not generally encompass the destruction of the images of a specific ruler after their death or overthrow, a practice better known as damnatio memoriae. While iconoclasm may be carried out by adherents of a different religion, it is more commonly the result of sectarian disputes between
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
Print of the destruction in the Church of Our Lady in Antwerp, the "signature event" of the Beeldenstorm, 20 August 1566, by Frans Hogenberg [1]. Beeldenstorm (pronounced [ˈbeːldə(n)ˌstɔr(ə)m]) in Dutch and Bildersturm [ˈbɪldɐˌʃtʊʁm] in German (roughly translatable from both languages as 'attack on the images or statues') are terms used for outbreaks of destruction of religious ...
Significant periods of iconoclasm (deliberate destruction of icons) have occurred in the history of the Church, the first major outbreak being the Byzantine iconoclasm (730-787), motivated by a strictly literal interpretation of the second commandment and interaction with Muslims who have a very strict teachings against the creation of images.
Literary mentions of Christian images greatly increase, in the accounts of pilgrims to the Holy Land, in works of history, and in popular accounts of the lives of saints; at the same time some of these begin to mention acts of iconoclasm against images. The legendary nature of much of the last two types of material is clear, but the stories ...
The worn state of many pages is evidence of continuous use throughout centuries. Chludov Psalter (Russian: Хлудовская псалтырь; Moscow, Hist. Mus. MS. D.129) is an illuminated marginal Psalter made in the middle of the 9th Century.
Luck. Fate. Blessing. A glitch in the matrix. Or, if you’re more skeptical, just a coincidence.. It’s a phenomenon that, from a statistical perspective, is random and meaningless.
During the second period of Byzantine iconoclasm, Emperor Leo V the Armenian overtured Nicaea II and reinstated Hieria. However, rather than regarding icons as idolatrous, they were merely considered superfluous, and images that were suspended high up (which could not therefore be actively venerated) were not removed.