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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Morita Shiryū (June 24, 1912 – December 1, 1998) was a postwar Japanese artist who revolutionized Japanese calligraphy into a global avant-garde aesthetic. [1] [2] [3] He was born in Toyooka, Hyōgo, Japan with the name Morita Kiyoshi (森田清). About 1925, he adopted the art name Morita Shiryū (森田子龍).
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi ).
These albums served as model books for calligraphy practice, the emulation of old styles, and as reference works for authentication in the growing antique market. [130] Today, the selection of calligraphers, and the type of calligraphies in a tekagami, show the changing tastes in classical Japanese-style calligraphy over the years. [127]
Hitsuzendō (筆禅道, "way of Zen through brush") is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 sanmai), which is a unification with the highest reality. [ clarification needed ] Hitsuzendo refers specifically to a school of Japanese Zen calligraphy to which the rating system of modern calligraphy (well ...
Shingai Tanaka (born 1942 in Tottori, Japan – 6 October 2007 in Kyoto) was a Japanese calligrapher who studied under Master Goshin Yasui, becoming one of the country's best shodō artists. He is the author of the book Sho, Le calligraphes de kyoto , ed. Cénton, 2008 ( ISBN 2-915384-06-1 ).
Kakizome (書き初め, literally "first writing") is a Japanese term for the first calligraphy written at the beginning of a year, traditionally on January 2. Other terms include kissho ( 吉書 ), shihitsu ( 試筆 ) and hatsusuzuri ( 初硯 ).
Yukinari further improved the Japanese style calligraphy (wayō-shodō 和様書道), and showed great respect to its founder, Ono no Michikaze (894-966). He even mentioned in his diary, Gonki, that he had a dream wherein he met Michikaze and learnt calligraphy from him. Yukinari was known as the master of kana. His style was mild and easily ...