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Frank Marshall (born Frank Marzalkiewicz on March 9, 1900; died October 10, 1969) was a professional ventriloquist dummy, marionette and Punch and Judy maker who created many of the most famous ventriloquist dummies used during the United States's vaudeville entertainment era through the Golden Age of Television.
This is a list of notable ventriloquists and their best known characters. It is ordered by nationality or country in which they were notable in an alphabetical order, and then by alphabetical order of surname.
Leonard Insull (1883–1974) was Britain's leading ventriloquial figure maker of the twentieth century. [1] He created many hundreds of items for Lewis Davenport Ltd. Born in Wolverhampton, Insull trained as a joiner before entering showbusiness as a magician, "Hinsle, the Comedy Illusionist".
As a young adolescent, he carved his first figure using a simple X-acto carving knife. Today, Selberg's first handmade figure, known as the "Selberg Boy", resides in the Vent Haven Museum, in the greater Cincinnati, Ohio area. [15] In February 2007 "Selberg Boy" was the figure of the month at the Vent Haven Museum.
Literary examples of frightening ventriloquist dummies include Gerald Kersh's The Horrible Dummy and the story "The Glass Eye" by John Keir Cross. In music, NRBQ's video for their song "Dummy" (2004) features four ventriloquist dummies modelled after the band members who 'lip-sync' the song while wandering around a dark, abandoned house.
Winchell's best-known ventriloquist dummies were Jerry Mahoney and Knucklehead Smiff. Mahoney was carved by Chicago-based figure maker Frank Marshall. Sometime later Winchell had basswood copies of Jerry's head made by a commercial duplicating service. One became the upgraded Jerry Mahoney that is seen primarily throughout Winchell's television ...
In 1945, Nelson asked famed Chicago ventriloquist figure maker Frank Marshall to make him a professional-quality dummy. Marshall, who had made Paul Winchell's Jerry Mahoney, would do this only after seeing the ventriloquist's work. He came to one of Nelson's theatre performances and was impressed, so sold Nelson a custom-made dummy, which he ...
Bergen's original dummy was built by noted carpenter/dummy-maker Theodore Mack, and was later rebuilt by Frank Marshall. A 1938 magazine article reported that “When Edgar Bergen was a high school student in Chicago in the post-war [WWI] period, he got the notion that he wanted a dummy so that he could become a ventriloquist.
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