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Rekhti (Urdu: ریختی, Hindi: रेख़ती), is a form of Urdu feminist poetry. A genre developed by male poets, [1] it uses women's voices to talk about themselves. [2] [3] [4] It was formed in 19th-century Lucknow, then part of the State of Awadh (now in Uttar Pradesh, India). [1] The poet Saadat Yaar Khan Rangin is credited with its ...
Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].
He gained prominence for his unique style of poetry that explored philosophical and existential themes. His poetry often reflected deep contemplation on the mysteries of life, [ 5 ] human emotions , and the nature of existence. his verses were characterized by their profoundness and intricacy, earning him a distinct place in Urdu literature.
The Shahr Ashob (Persian: شهر آشوب; Shahr-i Ashob (lit. 'The city's misfortune' [1]), sometimes spelled Shahar-i Ashūb or Shahrashub, is a genre that becomes prominent in Urdu poetry in South Asia with its roots in classical Persian and Urdu poetic lamentations.
Qamar Jalalvi is regarded as one of the best classical Urdu Ghazal poets. His ghazal poetry has a unique simplicity of expression. A poet from the age of eight, Qamar Jalalvi's writing had become quite popular by the time he was in his 20s. He lived a life of financial hardship, working for many years at bicycle repair shops.
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