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The Andean textile tradition once spanned from the Pre-Columbian to the Colonial era throughout the western coast of South America, but was mainly concentrated in what is now Peru. The arid desert conditions along the coast of Peru have allowed for the preservation of these dyed textiles, which can date to 6000 years old. [ 1 ]
This fish-shaped textile, a complete weaving with 33 finished edges, was stitched with others like it to a mantle, a shawl-like garment that was a staple of ancient Andean wardrobe. The partial “x-ray view,” which emphasizes the bony white teeth and spine, is unique to the style of the Ychsma (yeach-mah), who lived on Peru’s central coast ...
Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, textile: Brooklyn Museum Detail of one shaman showing knife and head. The Paracas textiles were found at a necropolis in Peru in the 1920s. The necropolis held 420 bodies who had been mummified and wrapped in embroidered textiles of the Paracas culture in 200–300 BCE. [1]
Nazca Culture and iconography are believed by scholars such as Helaine Silverman to have evolved from Paracas culture. [10] [5] Nasca had shared religion with the Paracas, and continued the traditions of textile making, head-hunting, and warfare in early phases. [5]
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Textile production was the second most important after agriculture in the Inca period. The strength was the raw material like alpaca and llama wool as well as indigenous cotton. Textile materials were classified into many categories, Chusi was the coarsest cloth used for blankets and rugs. [1] The closest to Cumbi are the following:
Centro de Textiles Tradicionales del Cuzco (Center for Traditional Textiles of Cusco or CTTC) was founded by indigenous weavers from the community of Chinchero as well as international supporters in 1996 as a non-profit organization. [1] It is based out of the city of Cusco, Peru where its main offices, museum and shop are located. The CTTC ...
Artisans of the Ancient Americas drew upon a wide range of materials (obsidian, gold, spondylus shells), creating objects that included the meanings held to be inherent to the materials. [1] These cultures often derived value from the physical qualities, rather than the imagery, of artworks, prizing aural and tactile features, the quality of ...