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Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
Goethe famously said in 1807 that painting "lacks any established, accepted theory as exists in music". [2] [3] Kandinsky in 1911 reprised Goethe, agreeing that painting needed a solid foundational theory, and such theory should be patterned after the model of music theory, [2] and adding that there is a deep relationship between all the arts, not only between music and painting.
Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx.It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth.
[23] [24] The theory of art as form has its roots in the philosophy of Kant, and was developed in the early 20th century by Roger Fry and Clive Bell. More recently, thinkers influenced by Martin Heidegger have interpreted art as the means by which a community develops for itself a medium for self-expression and interpretation. [25]
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Dewey's theory is an attempt to shift the understandings of what is essential and characteristic about the art process from its physical manifestations in the ‘expressive object’ to the process in its entirety, a process whose fundamental element is no longer the material ‘work of art’ but rather the development of an ‘experience’.
Art criticism is a symptom of the obscurity of art, for "[a]n artist, if he is a true artist, has in his work conveyed to others the feelings he has experienced: what is there to explain?". [ 51 ] Criticism, moreover, tends to contribute to the veneration of "authorities" [ 52 ] such as Shakespeare and Dante . [ 53 ]
Plato has regarded imitation as a general principle of art, as he viewed art itself as an imitation of life. This theory was popular and well accepted during the classical period. [ 2 ] During the Renaissance period, imitation was seen as a means of obtaining one's personal style; this was alluded to by the artists of that era like Cennino ...