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The cover of race records catalogue of Victor Talking Machine Company. Race records is a term for 78-rpm phonograph records marketed to African Americans between the 1920s and 1940s. [1] They primarily contained race music, comprising various African-American musical genres, blues, jazz, and gospel music, rhythm and blues and also comedy. These ...
In June 1949, at his suggestion, the magazine changed the name of the Race Records chart to Rhythm & Blues Records. Wexler wrote, "' Race' was a common term then, a self-referral used by blacks... On the other hand, 'Race Records' didn't sit well... I came up with a handle I thought suited the music well–'rhythm and blues'... [It was] a label ...
In 1927 the talent scout H. C. Speir obtained for him a recording contract with Vocalion Records. On October 10, 1927, he recorded "Jim Jackson's Kansas City Blues", [3] which became a best-seller. [4] Its melody and lyrics can be traced in many later blues and rock and roll songs, including "Rock Around the Clock" and "Kansas City".
Paramount's race record series was launched in 1922 with vaudeville blues songs by Lucille Hegamin and Alberta Hunter. [5] The company had a large mail-order operation which was a key to its early success. [2] Most of Paramount's race music recordings were arranged by black entrepreneur J. Mayo Williams. "Ink" Williams, as he was known, had no ...
Harris's date and place of birth are unknown, but there is a general consensus among blues historians that he probably originated in the Mississippi Delta area. [5] He was one of the earliest "discoveries" made by the white businessman H. C. Speir, [2] who ran a music and mercantile store on Farish Street, in a black neighborhood of Jackson, Mississippi.
That same year, the album Blues Train was released by Muse Records; the album featured Turner with the band Roomful of Blues. [4] Turner's career endured from the barrooms of Kansas City in the 1920s (when at the age of twelve he performed with a pencilled moustache and his father's hat) [22] to European jazz festivals of the 1980s.
Kansas City Red was his drummer from the early 1940s to around 1946. [8] He recorded Kansas City Red's song "The Moon Is Rising". [9] McCoy became a familiar voice on local radio stations, including WROX. A teenaged Ike Turner joined his band as a roadie in Clarksdale, Mississippi. [10] [11] Robert Lee McCoy disappeared in the mid-1940s.
Julia Lee (October 31, 1902 – December 8, 1958) [3] was an American blues and dirty blues musician. [1] Her most commercially successful number was the US Billboard R&B chart topping hit "(Opportunity Knocks But Once) Snatch and Grab It" in 1947.