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The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
Viola close up of bridge. The viola is similar in material and construction to the violin. A full-size viola's body is between 25 and 100 mm (1 and 4 in) longer than the body of a full-size violin (i.e., between 38 and 46 cm [15–18 in]), with an average length of 41 cm (16 in).
The viola da gamba is occasionally confused with the viola, the alto member of the modern violin family and a standard member of both the symphony orchestra and string quartet. In the 15th century, the Italian word " viola " was a generic term used to refer to any bowed instrument, or fiddle .
Antonio Stradivari, by Edgar Bundy, 1893: a romanticized image of a craftsman-hero. A Stradivarius is one of the string instruments, such as violins, violas, cellos, and guitars, crafted by members of the Stradivari family, particularly Antonio Stradivari (Latin: Antonius Stradivarius), in Cremona, Italy, during the late 17th and early 18th centuries.
The origin of the violin family is very clear. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
Divertimento for viola d'amore, violin and cello; This is an arrangement of a work by Haydn, but made in the 18th century. Carl Stamitz (1745–1801) 3 solo Concertos Sonata in D major for viola d'amore and violin or viola various other sonatas Quartet for oboe, violin, viola d'amore and cello. Franz Anton Hoffmeister (1754–1812)
It uses four viola strings, tuned conventionally (C-G-D-A), with the addition of a high E string (usually a violin string), giving it a greater range than the orchestral viola; the trade-off comes in a sound which is slightly more resonant than a violin. The viola pomposa is played on the arm and has a range from C3 to A6 (or even higher) with ...
Viola da braccio in detail from a fresco by Gaudenzio Ferrari in Santa Maria dei Miracoli, Saronno (c. 1534–6). Viola da braccio (from Italian "arm viola", plural viole da braccio) is a term variously applied during the baroque period to instruments of the violin family, in distinction to the viola da gamba ("leg viola") and the viol family to which the latter belongs.
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