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The Choral Public Domain Library (CPDL), also known as the ChoralWiki, is an online database for choral and vocal music. Its contents primarily include sheet music in the public domain or otherwise freely available for printing and performing (such as via permission from the copyright holder).
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Full free access Choral Public Domain Library: Sheet music archive of choral and vocal music in the public domain or otherwise freely available for printing and performing 36,869 [41] Yes International Music Score Library Project: Music scores and parts, mostly scanned from publications now in the public domain; some recordings. 42,000 (370,000 ...
The Choral Public Domain Library: a comprehensive library of public domain choral sheet music, downloadable in PDF, MIDI, and other formats; Mutopia: a collection of public domain sheet music; Musopen: free public domain music; Public Domain Project: free public domain music from historical 78 rpm records; Project Gutenberg music section
CPDL Free Choral Sheet Music. Archived from the original on 19 May 2009; No. 171–180. Universitätsbibliothek Heidelberg. 1888; Kilian, Dietrich (1965). Bach Erschallet, ihr Lieder, Vocal Score based on the Urtext of the New Bach Edition. Bärenreiter. Books. Arnold, Jochen (2009).
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Caroline Shaw (born 1982) is an American composer of contemporary classical music. Though best known for her vocal and choral music, Shaw's compositions also include chamber, orchestral, multimedia and solo instrumental music, as well as film scores.
For example, the listing "STB solos, SATB choir" of Bach's Wachet auf, ruft uns die Stimme, BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. [5] "SATB/SATB" is used when a double choir is required, as in Penderecki's Polish Requiem.
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