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Using the camera obscura, artists would manually trace what they saw, or use the optical image as a basis for solving the problems of perspective and parallax, and deciding color values. A camera obscura optically reduces a real scene in three-dimensional space to a flat rendition in two dimensions.
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A camera obscura (pl. camerae obscurae or camera obscuras; from Latin camera obscūra 'dark chamber') [1] is the natural phenomenon in which the rays of light passing through a small hole into a dark space form an image where they strike a surface, resulting in an inverted (upside down) and reversed (left to right) projection of the view outside.
Gould repeatedly asked for the Denver Art Museum to display fine art photography, but director Otto Bach refused to consider the medium. To make artistic photography available to the public, Gould and others created a venue for displaying works directly behind the Denver Art Museum—eventually this would become the gallery Camera Obscura. [2]
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