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Tamil: Devotional Album 2013 Yaarundu Logathile Sri Ramana Aaram: Tamil: Devotional Album Unknown Velli Mulaithadhu Vaanam Veluthadhu Geetha Vazhipaadu: Tamil: Devotional Album 1989 En Paava Kanakkukku Geetha Vazhipaadu: Tamil: Devotional Album 2011 Unnai Vittaal Yaarum Illai Ramana Saranam: Tamil: Devotional Album 2013 Nin Charan Ena Solluven ...
This song is unique because it does not assume the tone of devoted prayer as most Hindu devotional songs but one of thankfulness to God. The song comprises 3 stanzas each set in three different ragas. Kurai Onrum Illai is a very popular song in South India and is a regular in most Carnatic concerts. It became very famous after it was sung by M ...
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
Late Chola, Tamil Nadu. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to speech.
The Alvars sang these songs at various sacred shrines known as the Divya Desams. [3] The Tamil Vaishnavites , also known as Ubhaya Vedanti follow both the Sanskrit Vedas ( Rigveda , Yajurveda , Samaveda , and Atharvaveda ) as well as the Tamil-language Tiruvaymoli , a work which devotees of Sri Vaishnavism regard as the Tamil Veda. [ 4 ]
Thiruvasagam (Tamil: திருவாசகம், romanized: tiruvācakam, lit. 'sacred sayings') is a volume of Tamil hymns composed by the ninth century Shaivite bhakti poet Manikkavasagar. It contains 51 compositions and constitutes the eighth volume of the Tirumurai, the sacred anthology of the Tamil Shaiva Siddhanta.
A Bhajan in Hindu traditions is an informal, loosely structured devotional song with music in a regional language. [19] They are found all over India and Nepal, but are particularly popular among the Vaishnav traditions such as those driven by devotion to avatars of Vishnu such as Krishna, Rama, Vitthal and Narayana (often with their consorts).
[1] [2] It is the last of the 5 Ghana rāgams of Carnatic music. [1] It is a popular rāgam that is considered to be highly auspicious. [2] Notably, Carnatic Shree takes the lower madhyamam being the asampurna scale equivalent of Kharaharapriya. It is not related to the Hindustani raga, Shree.