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Coleridge attended the school Christ's Hospital, and he was often at the sanatorium for illness while there.The poems "Pain", "A Few Lines" and "Genevieve" were written during his final year, but he experienced various illnesses during his stay that were the result of either chronic illness or illnesses resulting from his own actions, including swimming across the New River which resulted in ...
The first part was reputedly written in 1797, and the second in 1800. Coleridge planned three additional parts, but these were never completed. Coleridge prepared for the first two parts to be published in the 1800 edition of Lyrical Ballads, his collection of poems with William Wordsworth, but left it out on Wordsworth's advice. The exclusion ...
"Yes, yes! that boon, life's richest treat" 1827 1828 To Mary Pridham [afterwards Mrs. Derwent Coleridge]. "Dear tho' unseen! tho' I have left behind" 1827 1827, October 16 Alice du Clos; or, The Forked Tongue. A Ballad. One word with two meanings is the traitor's shield and shaft: and a slit tongue be his blazon!'—Caucasian Proverb.
Sibylline Leaves, which appeared in 1817 and was described as "A Collection of Poems", included the contents of the 1797 and 1803 editions of Poems on Various Subjects, the poems published in the Lyrical Ballads of 1798 and 1800, and the quarto pamphlet of 1798, but excluded the contents of the 1796 first edition of Poems (except The Eolian Harp), Christabel, Kubla Khan, and The Pains of Sleep ...
The sleep of this story is said by Coleridge to be a sleep of opium, and Kubla Khan may be read as an early poetic description of this drug experience. The fact that the poem is generally regarded as one of Coleridge's best is one reason for the continuing interest and debate about the opium's role in his creative output and in Romanticism in ...
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The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
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