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Summers' use of the amp in turn inspired, for instance, Jeff Buckley, whose first amplifier was a Jazz Chorus. [ 4 ] Another notable user of the JC-120 was Johnny Marr of The Smiths who used the Roland JC-120 along with his Rickenbacker 330 and Telecaster to create the sounds present on The Smiths’ debut album.
Throughout the decade, Mesa continued to produce combo and head amplifiers, and began production of rack power and pre-amps, developing power amplifiers such as the M180/190 and Strategy series, as well as pre-amps such as the Quad and Studio. Other models developed in the 1980s included the Mark III, Mark IV, the Son of Boogie, and the Studio .22.
GP12SMX Bass Preamp: 12 Band EQ Bass Pre-amp. The basis for the preamp in all the SMX series. V-Type V6 300 W all valve head. Used by many Britpop bands in the '90s. V-Type V8 400 W all valve head, with overdrive and compression on board. Velocette: 1990s-era 15 W valve-powered guitar combos; several variants, basis for the Gibson Goldtone range.
Mesa-Boogie "Mark IV", a guitar combo amplifier The Mesa/Boogie Mark Series is a series of guitar amplifier made by Mesa Engineering (more commonly known as "Mesa/Boogie"). "). Originally just referred to as "Boogies", the product line took on the moniker "Mark Series" as newer revisions were put into produ
The models contain 20, 40, 50, 60, and 100 watt amplifiers. All models except the 50W and 100W are available in combo form. The 50W and 100W is head only, and the 20W comes in either head or combo. The HT Venue series also contains three different cabinet sizes: 1×12, 2×12, and 4×12. All speakers in the HT Venue are Celestion.
The key to achieving a high CMRR is usually the use of very precisely matched resistors (better than 0.1%) to minimise any difference in the amplification of the negative and positive sides of the signal. Single-chip instrumentation amplifiers typically have laser-trimmed resistors to achieve a CMRR in excess of 100 dB, sometimes even 130 dB.
The most famous is the Shimano Curado DC ("Digital Control") series, first introduced in 2003 and having remained the only electronically braked fishing reel in the world for two decades until early 2023, when two similar products, the Daiwa IMZ Limitbreaker and the KastKing iReel IFC ("Intelligent Frequency Control"), were announced respectively.
In electronics engineering, frequency compensation is a technique used in amplifiers, and especially in amplifiers employing negative feedback.It usually has two primary goals: To avoid the unintentional creation of positive feedback, which will cause the amplifier to oscillate, and to control overshoot and ringing in the amplifier's step response.
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