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The story is set in the 1930s, among a troupe of travelling performers. It combines skepticism about romance in general and the intensity of the relationship between Orpheus and Eurydice with an other-worldly mysticism. The result is a heavily ironic modern retelling of the classical Orpheus myth.
Orpheus Playing the Violin, 17th-century painting by Cesare Gennari. Operas based on the Orphean myths, and especially the story of Orpheus' journey to the underworld to rescue his wife, Eurydice, were amongst the earliest examples of the art form and continue to be written into the 21st century.
Orpheus and Eurydice, a ballet choreographed by Dame Ninette de Valois with music by Gluck (1941) [9] Orpheus, a ballet made by choreographer George Balanchine to music by Igor Stravinsky (1948) Orpheus in the Underworld, an album by Don Shirley (1956) Orpheus, a song by New York Rock & Roll Ensemble, from Reflections (Manos Hatzidakis album ...
Orfeu da Conceição (Orpheus of the Conception) [a] is a stage play with music in three acts by Vinicius de Moraes and music by Antônio Carlos Jobim that premiered in 1956 in Rio de Janeiro. The play became the basis for the films Orfeu Negro ( Black Orpheus , 1959) and Orfeu (1999), and for the musicals Orfeu (Brazil, 2010) [ 1 ] and Black ...
Sir Orfeo was probably written in the late 13th or early 14th century in the Westminster-Middlesex area. [2] It is preserved in three manuscripts: the oldest, Advocates 19.2.1, known as the Auchinleck MS. is dated about 1330; Harley 3810 is from about the beginning of the fifteenth century; and Ashmole 61 was compiled over the course of several years, the portion of the MS. containing Sir ...
Eurydice (/ j ʊəˈr ɪ d ɪ s iː /; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: [eu̯.ry.dí.kɛː]) was a character in Greek mythology and the Auloniad [1] wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.
Orpheus, original title Orphée, is a stage play written by Jean Cocteau, produced in Paris 1926 by Georges Pitoëff and Ludmilla Pitoëff, with decors by Jean Hugo and costumes by Coco Chanel. [1] The play was the first major work for the theater written by Cocteau. It is based on the myth of Orpheus, dealing largely with the supernatural. [2]
Roman mosaic of Orpheus, the mythical poet to whom the Orphic Hymns were attributed, from Palermo, 2nd century AD [31]. The collection's attribution to the mythical poet Orpheus is found in its title, "Orpheus to Musaeus", [32] which sits above the proem in the surviving manuscripts of the collection; [33] this proem, an address to the legendary poet Musaeus of Athens (a kind of address found ...